News Producer


The Academy of Television Arts & Sciences Foundation Presents

02:26

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Highlights
Betty Cole Dukert on advice to aspiring news producers
00:47
Av Westin on the importance of the producer in television news
03:09
Lowell Bergman on working for 20/20 and the differences between reporters and producers
06:28
Jeff Fager on concerns over libel claims as a news producer: "these aren't legal issues, they're fairness issues"
00:52
Sanford Socolow on his role and Don Hewitt's role as producers of CBS Evening News with Walter Cronkite
02:59
Robert MacNeil on editing news stories 
03:37
Who talked about this profession

Robert G. Anderson

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Robert G. Anderson on being rejected by television news stations as an on-air correspondent, and realizing he could be a producer
02:48
Robert G. Anderson on the importance of post-production on a 60 Minutes piece, and on the difference between cutting for a documentary-style piece versus a news piece: "it has to work for the ear"
03:56
Robert G. Anderson on the challenges of being a news producer, and on handling the unexpected
01:10
Robert G. Anderson on the best part of being a producer: "it's a do-gooder business"
00:48

Lowell Bergman

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Lowell Bergman on dealing with deadlines
01:19
Lowell Bergman on working for 20/20 and the differences between reporters and producers
06:28
Lowell Bergman on reporting for ABC News and dealing with media savvy subjects
04:44
Lowell Bergman on producing news stories from dangerous places
02:38
Lowell Bergman on advice to an aspiring journalist
00:25

Linda Bell Blue

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Linda Bell Blue on her management style as a producer
01:27
Linda Bell Blue on the format of  Entertainment Tonight and keeping the audience tuned in
04:01
Linda Bell Blue on how ideas go from pitch to actual story on Entertainment Tonight
01:22
Linda Bell Blue on advice to aspiring news producers
04:34

Betty Cole Dukert

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Betty Cole Dukert on setting ground rules for the reporters on Meet the Press
06:51
Betty Cole Dukert on advice to aspiring news producers
00:47

Jeff Fager

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Jeff Fager on his first job as a producer on the 11 o'clock news at KPIX in San Francisco
01:09
Jeff Fager on his first job at CBS News, on the overnight news show, Nightwatch
03:42
Jeff Fager on stories he worked on as producer of CBS Evening News with Dan Rather in London
09:18
Jeff Fager on how Don Hewitt's philosophy of news influenced him as producer of 60 Minutes
02:36
Jeff Fager on producing hard news versus entertainment stories: he prefers "entertaining stories" on CBS Evening News and 60 Minutes
01:24
Jeff Fager on the production of 60 Minutes: pitching stories and how he approves or rejects story ideas
04:22
Jeff Fager on the process of developing stories for 60 Minutes
03:27
Jeff Fager on the process of editing and occasionally reshooting stories on 60 Minutes
03:54
Jeff Fager on moving from producer to executive producer after having gathered enough experience in the field to be an effective editor of others' stories
03:41
Jeff Fager on being executive producer of CBS Evening News with Dan Rather at a time when news was becoming more sensational
03:18
Jeff Fager on the responsibility he felt in producing news stories in the wake of 9/11
02:17
Jeff Fager on bringing on younger correspondents when he became executive producer of 60 Minutes and the importance of diversity
01:27
Jeff Fager on balancing his roles as Chairman of CBS News and executive producer of 60 Minutes and his proudest achievements as Chairman
04:19
Jeff Fager on concerns over libel claims as a news producer: "these aren't legal issues, they're fairness issues"
00:52
Jeff Fager on the most difficult and the most exciting part about being executive producer of 60 Minutes
01:27
Jeff Fager on the best advice he received on producing a story, from Don Hewitt
01:42

Murray Fromson

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Murray Fromson on what was involved with being the field producer for CBS News' coverage of Barry Goldwater's 1964 presidential campaign
00:40

Don Hewitt

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Don Hewitt on the most rewarding aspect of being a producer of television news, and on what represents the best of television
03:06

Lucy Jarvis

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Lucy Jarvis on what makes a good news/documentary program
02:12
Lucy Jarvis on advice to aspiring documentarians
00:37

Robert MacNeil

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Robert MacNeil on editing news stories 
03:37
Robert MacNeil on the logistics of The MacNeil Lehrer NewsHour and hiring staff for the show
02:03
Robert MacNeil on doing the assignments for The MacNeil Lehrer NewsHour and writing his scripts
02:21
Robert MacNeil on how he goes about researching a story he's covering and his interview technique
06:17
Robert MacNeil on the difference between serious journalism and not serious journalism
02:20
Robert MacNeil on the journalist's code of ethics
02:32

Bill Monroe

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Bill Monroe on covering politics at WDSU in New Orleans, and on setting up camera in the legislature
06:01
Bill Monroe on the introduction of editorials on local news shows, like WDSU, and on their editorials on school desegregation
08:43

Soledad O'Brien

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Soledad O'Brien on what she learned working for Bob Bazell as his associate producer at NBC Nightly News; on enjoying traveling for work
03:46

Sanford Socolow

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Sanford Socolow on his role and Don Hewitt's role as producers of CBS Evening News with Walter Cronkite
02:59
Sanford Socolow on not becoming Executive Producer of CBS Evening News with Walter Cronkite when producer Ernie Lizer stepped down
02:19
Sanford Socolow on advice to an aspiring news producer
01:07

Av Westin

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Av Westin on the importance of the producer in television news
03:09
Av Westin on advice to aspiring journalists
01:08
Av Westin on the career path he'd take if he were starting out in 2011
00:54

Perry Wolff

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Perry Wolff on Standards and Practices he applies to television documentaries
04:05
Perry Wolff on his greatest achievement and his advice to aspiring television documentary filmmakers 
02:24
About

The successful production of each newscast is the responsibility of a producer, who in the smallest markets may double as anchor or news director. The producer must ensure that every element of the production is ready at airtime, and deal with any problems or changes while the newscast is on the air. In large news departments this involves the coordination of dozens of reporters, videographers (often also known as photojournalists or photographers), writers, feature producers, videotape editors, graphic artists, and other specialized staff. They work closely with the on-air talent--the anchors and sports and weathercasters--to develop the lineup (story order) of the newscast and write portions of the show not provided by reporters or news writers.

-Chris Paterson