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Walter E. Grauman

Director

“Quinn Martin sent over an 'Untouchables' script written by Ben Maddow ['The Noise of Death'] that was an absolutely brilliant script.  I read it three times. Never went to sleep that night.  I just read it, and read it again, and read it again.  Called the next morning, and I said: ‘I’m yours.’”

About This Interview

Walter Grauman, who directed countless projects for television, attests that his proudest career achievement was “flying 56 combat missions in Europe.  The rest of it was fun.” Walter Grauman directed for television from the 1950s to the 1990s, and is often associated with the series of executive producer Quinn Martin: The Untouchables, The Fugitive, The Streets of San Francisco, and Barnaby Jones. 

In his Archive interview, Grauman describes how he began his career in the television industry, as a co-producer (with Alan A. Armer) of the talent search series Lights, Camera, Action.  He describes how he broke into network television, directing for producer Albert McCleery on the live anthology series Cameo Theatre, making such an impression that McCleery hired him to direct for his next series, Matinee Theater. 

For Matinee Theater, Grauman vividly recalls several memorable “close calls” on this live series, which aired daily on NBC.  In one instance, working with boxer Primo Carnera (cast as Frankenstein’s monster), Grauman recounts a harrowing moment that involved a stunt gone wrong: “He lifted [the stuntman] up like he’s a toy, and threw him.  And the guy went right through the scenery. I’m in the control room and all I hear is this crashing thud.  And I think, oh god, that’s the end of the show and the guy’s dead.  Well, by the grace of god, he wasn’t hurt.  He just was bruised a little bit.  And we went on to continue the rest of the show.” 

Grauman looks back on his initial enthusiasm with the first Untouchables script he read (that prompted him to take the job as a producer-director on the series) and discussed several episodes he helmed. He gives his impressions of several stars he worked with in TV, including: Charles Bronson (guesting on Colt .45), Robert Stack ( The Untouchables), Peter Falk ( Columbo), Buddy Ebsen ( Barnaby Jones), and Natalie Wood ( The Memory of Eva Ryker). 

Lastly, he recounts his work on the series Murder, She Wrote (and his rapport with star Angela Lansbury), the television movie The Forgotten Man (learning from military advisors how the Viet Cong operated during the Vietnam War), and the series Peter Gunn (including some advice he received from producer-director Blake Edwards on not making artistic compromises).  B-roll includes Grauman displaying and commenting on several behind-the-scenes photos from his career. 

Walter Grauman was interviewed in Los Angeles, CA on April 17, 2009; Stephen Bowie conducted the two-and-a-half-hour interview.

Related To This Video

  • Shows
  • People
  • Topics

Shows

  • Alfred Hitchcock Presents/ Hour
  • Barnaby Jones
  • Cameo Theatre
  • Colt .45
  • Columbo
  • Forgotten Man, The
  • Fugitive, The
  • Hollywood Screen Test
  • Lights, Camera, Action
  • Matinee Theater
  • Memory of Eva Ryker, The
  • Murder, She Wrote
  • Naked City
  • Peter Gunn
  • Streets of San Francisco
  • Twilight Zone, The
  • Untouchables, The
  • Untouchables, The: "The White Slavers"

People

  • Alan Alda
  • Angela Lansbury

Topics

  • Bloopers
  • Creative Influences and Inspiration
  • Historic Events and Social Change
  • Television Industry

Featured Content

Video: Part 1 of The Untouchables: "The Noise of Death" (airdate: 1/14/60) as posted on You Tube

Video: Embeddable excerpt from Walter Grauman's Archive of American Television interview (click through to You Tube [by clicking You Tube icon on bottom right of clip] to reveal embed code)

Resources

Links:

DVD: Murder, She Wrote: The Complete First Season

DVD: The Untouchables, Season 1, Volume 1

Book: The Untouchables by Tise Vahimagi

Book: Quinn Martin, Producer: A Behind-the-Scenes History of QM Productions and Its Founder by Jonathan Etter (Foreword by Walter Grauman)

IMDb entry on Walter Grauman

Wikipedia entry on Walter Grauman

YouTube video player - HTML5 compatible.
  • Highlights
  • Chapters
  • Shows
  • People
  • Topics

Highlights

  • Director Walter Grauman on working with Angela Lansbury on Murder, She Wrote<i/>Director Walter Grauman on working with Angela Lansbury on Murder, She Wrote
    Clip begins at: 40:11, Duration: 00m 33s
  • Director Walter Grauman on how Blake Edwards (ironically) advised him not to make artistic compromises on Peter Gunn<i/><i/>Director Walter Grauman on how Blake Edwards (ironically) advised him not to make artistic compromises on Peter Gunn
    Clip begins at: 27:57, Duration: 00m 58s
  • Director Walter Grauman on a tricky lighting set up done by Russell Metty on Peter Gunn (that worked for the camera, but was hard on the actors due to the intense heat from the lighting)Director Walter Grauman on a tricky lighting set up done by Russell Metty on Peter Gunn (that worked for the camera, but was hard on the actors due to the intense heat from the lighting)
    Clip begins at: 24:35, Duration: 01m 04s
  • Director Walter Grauman on working with boxer Primo Carnera on Matinee Theater: Frankenstein (airdate: 2/5/57), in which an overzealous and unrehearsed Carnera (playing Frankenstein's monster) threw a stuntman through the sceneryDirector Walter Grauman on working with boxer Primo Carnera on Matinee Theater: Frankenstein (airdate: 2/5/57), in which an overzealous and unrehearsed Carnera (playing Frankenstein's monster) threw a stuntman through the scenery
    Clip begins at: 35:55, Duration: 03m 28s
  • Walter Grauman on getting into TV, co- writing, directing, and producing the talent show Lights, Camera, Action<i/>Walter Grauman on getting into TV, co- writing, directing, and producing the talent show Lights, Camera, Action
    Clip begins at: 09:51, Duration: 01m 26s
  • Producer-director Walter Grauman on the flubs made by Lights, Camera, Action (1950) emcee Walter Woolf King on live TV Producer-director Walter Grauman on the flubs made by Lights, Camera, Action (1950) emcee Walter Woolf King on live TV 
    Clip begins at: 11:29, Duration: 01m 19s
  • Director Walter Grauman on actress Sarah Churchill needing to get bailed out of jail to make her live appearance on Matinee Theater<i/>Director Walter Grauman on actress Sarah Churchill needing to get bailed out of jail to make her live appearance on Matinee Theater
    Clip begins at: 32:39, Duration: 02m 59s
  • Director Walter Grauman on how a superstition led Sylvia Sidney to forget the final line on live TV for a Matinee Theater show [tentatively identified by Grauman as Death of a Salesman but possibly The Gift and the Giver (airdate: 12/16/57)]Director Walter Grauman on how a superstition led Sylvia Sidney to forget the final line on live TV for a Matinee Theater show [tentatively identified by Grauman as Death of a Salesman but possibly The Gift and the Giver (airdate: 12/16/57)]
    Clip begins at: 39:29, Duration: 01m 23s
  • Director-producer Walter Grauman on taking the job on The Untouchables, after being so impressed with the script for the episode The Noise of DeathDirector-producer Walter Grauman on taking the job on The Untouchables, after being so impressed with the script for the episode The Noise of Death
    Clip begins at: 01:08, Duration: 01m 11s
  • Director Walter Grauman on Robert Stack, and a memorable reaction he had to a piece of Grauman's direction filming The Untouchables episode Head of Fire, Feet of ClayDirector Walter Grauman on Robert Stack, and a memorable reaction he had to a piece of Grauman's direction filming The Untouchables episode Head of Fire, Feet of Clay
    Clip begins at: 13:31, Duration: 01m 39s
  • Director Walter Grauman on The Fugitive star David JanssenDirector Walter Grauman on The Fugitive star David Janssen
    Clip begins at: 25:24, Duration: 00m 41s
  • Director Walter Grauman on how star Peter Falk invented the key clue for solving the crime on the Columbo show Murder in MalibuDirector Walter Grauman on how star Peter Falk invented the key clue for solving the crime on the Columbo show Murder in Malibu
    Clip begins at: 49:35, Duration: 00m 51s
  • Director Walter Grauman on Barnaby Jones star Buddy Ebsen's likability (comparing him to Angela Lansbury, who he worked with on Murder, She Wrote)Director Walter Grauman on Barnaby Jones star Buddy Ebsen's likability (comparing him to Angela Lansbury, who he worked with on Murder, She Wrote)
    Clip begins at: 02:15, Duration: 00m 58s
  • Director Walter Grauman on Natalie Wood's fear of deep/dark waters while shooting the TV movie The Memory Of Eva Ryker, one of her last projectsDirector Walter Grauman on Natalie Wood's fear of deep/dark waters while shooting the TV movie The Memory Of Eva Ryker, one of her last projects
    Clip begins at: 04:40, Duration: 02m 58s
  • Director Walter Grauman on how Angela Lansbury's appeal was the reason for the popularity of Murder, She Wrote<i/>Director Walter Grauman on how Angela Lansbury's appeal was the reason for the popularity of Murder, She Wrote
    Clip begins at: 01:23, Duration: 00m 51s

Chapters

  • Chapter 1
  • On his background; on getting hired at Universal Studios; on starting his own popcorn business; on getting his start in TV co-directing/producing the series  Lights, Camera, Action; on host Walter Woolf King and "live TV" 
    Clip begins at: 0:0
  • On being sued by Hollywood Screen Test producer Lester Lewis (Grauman misidentifies him as Lester White) for  Lights, Camera, Action's similarity in concept; on breaking into directing at NBC and working on Albert McCleery's Cameo Theatre and Matinee Theater  
    Clip begins at: 17:19
  • On several memorable touch-and-go incidents on the 1950s "live" anthology series  Matinee Theater
    Clip begins at: 32:21
  • On the Hollywood Blacklist (hiring former blacklistee Jeff Corey, discovering that "Joel Carpenter" was Arnold Manoff's pseudonym)
    Clip begins at: 49:21
  • Chapter 2
  • On producer Quinn Martin; on directing for The Untouchables, which he took based on his favorable impression of the script for the episode "The Noise of Death"; on Untouchables star Robert Stack; on appeasing the censor in filming a massacre scene in The Untouchables episode "The White Slavers" 
    Clip begins at: 0:0
  • On working out the approach to Lt. Gerard on The Fugitive with producer Quinn Martin; on Fugitive star David Janssen; on the Twilight Zone episode "Miniature" 
    Clip begins at: 22:49
  • On getting hired on Barnaby Jones and working with star Buddy Ebsen; on working on location for The Streets of San Francisco; on working with Angela Lansbury on Murder, She Wrote  
    Clip begins at: 32:59
  • On Peter Falk inventing the key clue for solving the crime on the Colombo show "Murder in Malibu"; on working with Keith Mitchell and Jerry Orbach on Murder, She Wrote
    Clip begins at: 49:35
  • Chapter 3
  • On how Angela Lansbury's appeal was the reason for the popularity of Murder, She Wrote; on Natalie Wood's fear of deep/dark waters while shooting the TV movie The Memory of Eva Ryker, one of her last projects
    Clip begins at: 0:0
  • On his experiences making the TV movie The Forgotten Man, including an eye-opening session on learning how the Viet Cong operated from military consultants
    Clip begins at: 10:00
  • On his directoral style, especially in regard to camera movement in his work; on how Blake Edwards advised him on not making artistic compromises on Peter Gunn  
    Clip begins at: 17:58
  • B-roll of Grauman showing several behind-the-scenes photos from his career in TV
    Clip begins at: 29:17

Shows

  • Alfred Hitchcock Presents/ Hour
    • Director Walter Grauman on directing Cameo Theatre: "The Man From the South" later remade (with Steve McQueen) as the Alfred Hitchcock Presents episode "Man from the South" [note: the star in the Cameo Theatre show was John Lupton, not Steve McQueen as Grauman recalls]
      Clip begins at: 26:45, Duration: 01m 12s
  • Barnaby Jones
    • Director Walter Grauman on being hired by Quinn Martin for Barnaby Jones (after the two had had a previous falling out)
      Clip begins at: 32:59, Duration: 01m 35s
    • Director Walter Grauman on working with Buddy Ebsen on Barnaby Jones
      Clip begins at: 34:36, Duration: 01m 00s
    • Director Walter Grauman on Barnaby Jones star Buddy Ebsen's likability (comparing him to Angela Lansbury, who he worked with on Murder, She Wrote)
      Clip begins at: 02:15, Duration: 00m 58s
  • Cameo Theatre
    • Walter Grauman on breaking into NBC network dramatic series directing with Cameo Theatre
      Clip begins at: 24:26, Duration: 02m 00s
    • Director Walter Grauman on directing Cameo Theatre: "The Man From the South" later remade (with Steve McQueen) as the Alfred Hitchcock Presents episode "Man from the South" [note: the star in the Cameo Theatre show was John Lupton, not Steve McQueen as Grauman recalls]
      Clip begins at: 26:45, Duration: 01m 12s
    • Director Walter Grauman briefly on Cameo Theatre and Matinee Theater creator/producer Albert McCleery
      Clip begins at: 42:21, Duration: 00m 30s
  • Colt .45
    • Director Walter Grauman on the indelible impression left on him by newcomer Charles Bronson during production of the Colt .45 episode "Young Gun" 
      Clip begins at: 45:11, Duration: 01m 27s
  • Columbo
    • Director Walter Grauman on how star Peter Falk invented the key clue for solving the crime on the Columbo show "Murder in Malibu"
      Clip begins at: 49:35, Duration: 00m 51s
  • Forgotten Man, The
    • Director Walter Grauman on learning how the Viet Cong operated from military consultants on the TV movie The Forgotten Man
      Clip begins at: 10:47, Duration: 03m 53s
    • Director Walter Grauman on losing his Asian extras at 4 PM, while shooting the TV movie The Forgotten Man
      Clip begins at: 15:00, Duration: 01m 26s
    • Director Walter Grauman relates the plot of the TV movie The Forgotten Man [SPOILERS]
      Clip begins at: 16:35, Duration: 01m 12s
  • Fugitive, The
    • Director Walter Grauman on refilming a scene that set up the character of Lt. Gerard on The Fugitive per producer Quinn Martin, to make the character seem less obsessed 
      Clip begins at: 23:47, Duration: 01m 37s
    • Director Walter Grauman on The Fugitive star David Janssen
      Clip begins at: 25:24, Duration: 00m 41s
  • Hollywood Screen Test
    • Lights, Camera, Action producer-director Walter Grauman on being sued by Hollywood Screen Test producer Lester Lewis (Grauman misidentifies him as Lester White) for similarity in the two show's concepts.
      Clip begins at: 17:19, Duration: 01m 32s
  • Lights, Camera, Action
    • Walter Grauman on getting into TV, co- writing, directing, and producing the talent show Lights, Camera, Action
      Clip begins at: 09:51, Duration: 01m 26s
    • Producer-director Walter Grauman on the flubs made by Lights, Camera, Action (1950) emcee Walter Woolf King on "live" TV 
      Clip begins at: 11:29, Duration: 01m 19s
    • Lights, Camera, Action producer-director Walter Grauman on being sued by Hollywood Screen Test producer Lester Lewis (Grauman misidentifies him as Lester White) for similarity in the two show's concepts.
      Clip begins at: 17:19, Duration: 01m 32s
    • Producer-director Walter Grauman on the format of Lights, Camera, Action
      Clip begins at: 18:58, Duration: 01m 52s
  • Matinee Theater
    • Director Walter Grauman on actress Sarah Churchill needing to get bailed out of jail to make her "live" appearance on Matinee Theater
      Clip begins at: 32:39, Duration: 02m 59s
    • Director Walter Grauman on working with boxer Primo Carnera on Matinee Theater: "Frankenstein" (airdate: 2/5/57), in which an overzealous and unrehearsed Carnera (playing Frankenstein's monster) threw an actor through the scenery
      Clip begins at: 35:55, Duration: 03m 28s
    • Director Walter Grauman on how a superstition led Sylvia Sidney to forget the final line on "live" TV for a Matinee Theater show [tentatively identified by Grauman as "Death of a Salesman" but possibly "The Gift and the Giver" (airdate: 12/16/57)]
      Clip begins at: 39:29, Duration: 01m 23s
    • Director Walter Grauman on a mishap that occurred to Constance Bennett minutes before a "live" TV production of Matinee Theater [likely "One Hundred Red Convertibles (airdate: 9/5/56), for which the credits match]
      Clip begins at: 40:53, Duration: 01m 05s
    • Director Walter Grauman briefly on Cameo Theatre and Matinee Theater creator/producer Albert McCleery
      Clip begins at: 42:21, Duration: 00m 30s
  • Memory of Eva Ryker, The
    • Director Walter Grauman on Natalie Wood's fear of deep/dark waters while shooting the TV movie The Memory of Eva Ryker, one of her last projects
      Clip begins at: 04:41, Duration: 02m 57s
  • Murder, She Wrote
    • Director Walter Grauman on working with Angela Lansbury on Murder, She Wrote
      Clip begins at: 40:12, Duration: 00m 32s
    • Director Walter Grauman on Angela Lansbury's knowledge of how she should be lit on Murder, She Wrote
      Clip begins at: 40:45, Duration: 00m 57s
    • Director Walter Grauman on ingratiating himself to star Angela Lansbury with various time-saving techniques (including having her use a teleprompter)
      Clip begins at: 42:13, Duration: 02m 25s
    • Director Walter Grauman describes a typical workday on Murder, She Wrote
      Clip begins at: 45:00, Duration: 01m 24s
    • Director Walter Grauman on how Angela Lansbury's appeal was the reason for the popularity of  Murder, She Wrote
      Clip begins at: 01:23, Duration: 00m 51s
  • Naked City
    • Director Walter Grauman on the Naked City episode "Hold for Gloria Christmas," recalling it for early appearances by Alan Alda and Jessica Walter, as well as for writer "Joel Carpenter" who he discovered was blacklisted Arnold Manoff's pseudonym
      Clip begins at: 51:36, Duration: 03m 22s
  • Peter Gunn
    • Director Walter Grauman on a tricky lighting set up done by Russell Metty on the Peter Gunn episode "Edie Finds a Corpse" (that worked for the camera, but was hard on the actors due to the intense heat from the lighting)
      Clip begins at: 24:35, Duration: 01m 03s
    • Director Walter Grauman on how Blake Edwards (ironically) advised him not to make artistic compromises on Peter Gunn
      Clip begins at: 27:57, Duration: 00m 58s
  • Streets of San Francisco
    • Director Walter Grauman on the production's move from L.A. to San Francisco to accommodate the extensive location shooting on The Streets of San Francisco
      Clip begins at: 35:45, Duration: 01m 03s
    • Director Walter Grauman on retaining a location when the owner came down with the flu, on the pilot of The Streets of San Francisco
      Clip begins at: 36:57, Duration: 02m 14s
  • Twilight Zone, The
    • Director Walter Grauman relates the plot [SPOILERS] to The Twilight Zone episode "Miniature"
      Clip begins at: 26:35, Duration: 03m 09s
    • Director Walter Grauman on why The Twilight Zone episode "Miniature" wasn't shown on television for many years
      Clip begins at: 30:35, Duration: 00m 52s
    • Director Walter Grauman on shooting The Twilight Zone episode "Miniature"
      Clip begins at: 31:28, Duration: 01m 02s
    • Director Walter Grauman on showing Twilight Zone: "Miniature" to his future wife, who collected dollhouses
      Clip begins at: 29:46, Duration: 00m 44s
  • Untouchables, The
    • Director Walter Grauman on hiring formerly blacklisted actor Jeff Corey on The Untouchables (and how Corey nearly lost the job)
      Clip begins at: 49:36, Duration: 01m 20s
    • Director-producer Walter Grauman on taking the job on The Untouchables, after being so impressed with the script for the episode "The Noise of Death"
      Clip begins at: 01:08, Duration: 01m 11s
    • Director-producer Walter Grauman relates the plot [SPOILERS] to The Untouchables episode "The Noise of Death," a particular favorite of his
      Clip begins at: 04:26, Duration: 08m 19s
    • Director-producer Walter Grauman on instructing the actors to stick to the script for The Untouchables episode "The Noise of Death," so impressed was he with the writing
      Clip begins at: 12:48, Duration: 00m 34s
    • Director-producer Walter Grauman on Robert Stack, and a memorable reaction he had to a piece of Grauman's direction, filming the Untouchables episode "Head of Fire, Feet of Clay"
      Clip begins at: 13:31, Duration: 01m 39s
    • Director-producer Walter Grauman on an intense explosion done on The Untouchables that scared his son, who was visiting the set
      Clip begins at: 16:07, Duration: 01m 25s
    • Director-producer Walter Grauman on finding a way to appease the censor in filming a massacre scene for The Untouchables episode "The White Slavers"
      Clip begins at: 19:26, Duration: 03m 21s
    • Director Walter Grauman on his visual style and acknowledging a quote in the book The Untouchables by Tise Vahimagi, which is as follows: "[in the episode "The Purple Gang"] the prominent use of peculiar angles and enforced shadows was perfectly in keeping with the TV style of regular Untouchables director Walter Grauman" (p. 81)
      Clip begins at: 17:58, Duration: 02m 37s
  • Untouchables, The: "The White Slavers"
    • Director-producer Walter Grauman on finding a way to appease the censor in filming a massacre scene for The Untouchables episode "The White Slavers"
      Clip begins at: 19:26, Duration: 03m 21s

People

  • Alan Alda
    • Director Walter Grauman on the Naked City episode "Hold for Gloria Christmas," recalling it for early appearances by Alan Alda and Jessica Walter, as well as for writer "Joel Carpenter" who he discovered was blacklisted Arnold Manoff's pseudonym
      Clip begins at: 51:36, Duration: 03m 22s
  • Charles Bronson
    • Director Walter Grauman on the indelible impression left on him by newcomer Charles Bronson during production of the Colt .45 episode "Young Gun" 
      Clip begins at: 45:11, Duration: 01m 29s
  • Primo Carnera
    • Director Walter Grauman on working with boxer Primo Carnera on Matinee Theater: "Frankenstein" (airdate: 2/5/57), in which an overzealous and unrehearsed Carnera (playing Frankenstein's monster) threw a stuntman through the scenery
      Clip begins at: 35:55, Duration: 03m 28s
  • Sarah Churchill
    • Director Walter Grauman on actress Sarah Churchill needing to get bailed out of jail to make her "live" appearance on Matinee Theater
      Clip begins at: 32:39, Duration: 02m 59s
  • Jeff Corey
    • Director Walter Grauman on hiring formerly blacklisted actor Jeff Corey on The Untouchables (and how Corey nearly lost the job)
      Clip begins at: 49:36, Duration: 01m 20s
  • Buddy Ebsen
    • Director Walter Grauman on working with Buddy Ebsen on Barnaby Jones
      Clip begins at: 34:36, Duration: 01m 00s
    • Director Walter Grauman on Buddy Ebsen's likability (comparing him to Angela Lansbury, who he worked with on Murder, She Wrote)
      Clip begins at: 02:15, Duration: 00m 58s
  • Blake Edwards
    • Director Walter Grauman on how Blake Edwards (ironically) advised him not to make artistic compromises on Peter Gunn
      Clip begins at: 27:57, Duration: 00m 58s
  • Peter Falk
    • Director Walter Grauman on how star Peter Falk invented the key clue for solving the crime on the Colombo show "Murder in Malibu"
      Clip begins at: 49:35, Duration: 00m 51s
  • David Janssen
    • Director Walter Grauman on Fugitive star David Janssen
      Clip begins at: 25:24, Duration: 00m 41s
  • Angela Lansbury
    • Director Walter Grauman on working with Angela Lansbury on Murder, She Wrote
      Clip begins at: 40:12, Duration: 00m 32s
    • Director Walter Grauman on Angela Lansbury's knowledge of how she should be lit on Murder, She Wrote
      Clip begins at: 40:45, Duration: 00m 57s
    • Director Walter Grauman on how Angela Lansbury's appeal was the reason for the popularity of  Murder, She Wrote
      Clip begins at: 01:23, Duration: 00m 51s
  • Arnold Manoff
    • Director Walter Grauman on the Naked City episode "Hold for Gloria Christmas," recalling it for early appearances by Alan Alda and Jessica Walter, as well as for writer "Joel Carpenter" who he discovered was blacklisted Arnold Manoff's pseudonym
      Clip begins at: 51:36, Duration: 03m 22s
  • Quinn Martin
    • Director-producer Walter Grauman on executive producer Quinn Martin
      Clip begins at: 00:01, Duration: 01m 31s
  • Albert McCleery
    • Director Walter Grauman briefly on Cameo Theatre and Matinee Theater creator/producer Albert McCleery
      Clip begins at: 42:21, Duration: 00m 30s
  • Russell Metty
    • Director Walter Grauman on a tricky lighting set up done by Russell Metty on Peter Gunn (that worked for the camera, but was hard on the actors due to the intense heat from the lighting)
      Clip begins at: 24:35, Duration: 01m 04s
  • Sylvia Sidney
    • Director Walter Grauman on how a superstition led Sylvia Sidney to forget the final line on "live" TV for a Matinee Theater show [tentatively identified by Grauman as "Death of a Salesman" but possibly "The Gift and the Giver" (airdate: 12/16/57)]
      Clip begins at: 39:29, Duration: 01m 23s
  • Robert Stack
    • Director Walter Grauman on Robert Stack, and a memorable reaction he had to a piece of Grauman's direction, filming the Untouchables episode "Head of Fire, Feet of Clay"
      Clip begins at: 13:31, Duration: 01m 39s
  • Jessica Walter
    • Director Walter Grauman on the Naked City episode "Hold for Gloria Christmas," recalling it for early appearances by Alan Alda and Jessica Walter, as well as for writer "Joel Carpenter" who he discovered was blacklisted Arnold Manoff's pseudonym
      Clip begins at: 51:36, Duration: 03m 22s
  • Natalie Wood
    • Director Walter Grauman on Natalie Wood's fear of deep/dark waters while shooting the TV movie The Memory of Eva Ryker, one of her last projects
      Clip begins at: 04:41, Duration: 02m 57s
  • Walter Woolf King
    • Producer-director Walter Grauman on the flubs made by Lights, Camera, Action (1950) emcee Walter Woolf King on "live" TV 
      Clip begins at: 11:29, Duration: 01m 19s

Topics

  • Bloopers
    • Producer-director Walter Grauman on the flubs made by Lights, Camera, Action (1950) emcee Walter Woolf King on "live" TV 
      Clip begins at: 11:29, Duration: 01m 24s
    • Director Walter Grauman on working with boxer Primo Carnera on Matinee Theater: "Frankenstein" (airdate: 2/5/57), in which an overzealous and unrehearsed Carnera (playing Frankenstein's monster) threw a stuntman through the scenery
      Clip begins at: 35:55, Duration: 03m 28s
    • Director Walter Grauman on how a superstition led Sylvia Sidney to forget the final line on "live" TV for a Matinee Theater show [tentatively identified by Grauman as "Death of a Salesman" but possibly "The Gift and the Giver" (airdate: 12/16/57)]
      Clip begins at: 39:29, Duration: 01m 23s
  • Creative Influences and Inspiration
    • Director Walter Grauman on how Blake Edwards (ironically) advised him on not making artistic compromises on Peter Gunn
      Clip begins at: 27:57, Duration: 00m 58s
  • Historic Events and Social Change > Diversity in Television > Minorities
    • Director Walter Grauman on losing his Asian extras at 4 PM, while shooting the TV movie The Forgotten Man
      Clip begins at: 15:00, Duration: 01m 26s
  • Television Industry > Censorship / Standards & Practices
    • Director Walter Grauman on finding a way to appease the censor in filming a massacre scene for The Untouchables episode "The White Slavers"
      Clip begins at: 19:26, Duration: 03m 21s
  • Television Industry > Industry Crossroads > Hollywood Blacklist (ca. 1950s)
    • Director Walter Grauman on hiring formerly blacklisted actor Jeff Corey on The Untouchables (and how Corey nearly lost the job)
      Clip begins at: 51:36, Duration: 03m 23s
    • Director Walter Grauman on the Naked City episode "Hold for Gloria Christmas," recalling it for early appearances by Alan Alda and Jessica Walter, as well as for "Joel Carpenter" who he discovered was blacklisted Arnold Manoff's pseudonym
      Clip begins at: 51:36, Duration: 03m 22s
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