Herbert F. Solow
Executive
About This Interview
Herbert F. Solow was interviewed for three-and-a-half-hours in Westlake Village, CA. He discusses his start in the business in the mail room at the William Morris Agency and his move to NBC where he became involved in foreign sales. He describes his rise to Program Director for NBC's Films Division and his role as Head of NBC Daytime on the West Coast. He recalls the effects of the quiz show scandals and his time at Desilu Productions working with Lucille Ball, first as the Program Director and later as the Vice President and Executive in Charge of Production. Solow recounts the challenges of producing both Mission: Impossible and Star Trek concurrently, and details the process involved in producing Star Trek. He comments on the show's far-reaching success, the overwhelming popularity of "Mr. Spock," and the long-lasting impact the show has had around the world. Solow speaks of how he became the Vice President of Paramount Pictures, later moving to MGM, and eventually starting his own company. He addresses misconceptions surrounding Star Trek that prompted his book about the show,and discusses his contributions to Mannix, Medical Center, and The Courtship of Eddie's Father. He recalls working with Elvis Presley on the documentary, Elvis: That's the Way It Is, and talks about the projects he produced through his own production company. Stephen J. Abramson conducted the interview on May 26, 2008.
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Highlights
Herbert F. Solow on how he first heard about Star Trek
Clip begins at: 08:17, Duration: 03m 22s
Herbert F. Solow on preview audiences' response to seeing Star Trek
Clip begins at: 53:54, Duration: 01m 08s
Herbert F. Solow on his impression of the original idea for "Mr. Spock" on Star Trek
Clip begins at: 11:21, Duration: 00m 18s
Herbert F. Solow on how NBC didn't initially want "Mr. Spock" on Star Trek
Clip begins at: 46:45, Duration: 02m 56s
Herbert F. Solow on working with Martin Landau on Mission: Impossible
Clip begins at: 28:26, Duration: 00m 52s
Interview
- Part 1
- On his early childhood influences; on when he first saw television; on his first job out of college at the William Morris Agency; on his subsequent move to NBC; on his involvement with foreign sales
Clip begins at: 0:19 - On lessons he learned from working at the William Morris Agency; on his first title at NBC; on becoming the program director of the NBC Films division; on his involvement with many series for NBC; on his deal with John Wayne; on becoming the West Coast Program Director of Daytime Programs for CBS; on becoming the head of Daytime for NBC on the West Coast; on his recollections of the impact of the quiz show scandals; on anecdotes of behind-the-scenes on game shows including Video Village, Name that Tune, and Dotto
Clip begins at: 19:42 - On the state of NBC Daytime, upon his return; on his philosophy about scheduling Daytime during his time at NBC; on various game shows with which he was involved, including Truth or Consequences, Let's Make a Deal, This is Your Life, and Jeopardy; on selling the World Series to Japan; on West Coast Daytime programming for NBC; on his experience with the influence of Daytime Television on its viewing audience
Clip begins at: 40:17 - On what prompted his departure from NBC; on his work at Desilu Productions; on the three studios that Desilu owned; on the history of Desilu Studios
Clip begins at: 52:33 - Part 2
- On working with Lucille Ball at Desilu Productions as the program director; on his impressions of Desi Arnaz; on the effect that Desi's departure from Desilu had upon the workings of the studio; on his work style; on being named Vice President and Executive in Charge of Production at Desilu; on how he maintained the balance of power with Lucille Ball
Clip begins at: 0:0 - On how he first heard about Star Trek; on his impressions of Star Trek; on the advent of color television and its impact; on the development process for Star Trek; on hurdles he had to overcome during the development for Star Trek; on his deal with NBC for the production of Star Trek; on the decision to make Star Trek a two-hour TV movie; on hiring the cast for Star Trek
Clip begins at: 08:17 - On Brigg's Squad whose name was changed to Mission: Impossible; on hiring the cast and crew for the pilot of Mission: Impossible; on the concept and filming for the pilot of Mission: Impossible; on working with Martin Landau as a guest star on the show; on funding to produce Mission: Impossible; on the creation of Mission: Impossible's score and the origins of the main theme for the show; on selling both Star Trek and Mission: Impossible in the same week; on navigating the challenges of producing two shows concurrently, whose episodes required a large amount of production design; on financing both Mission: Impossible and Star Trek once both were picked up as series; on the Star Trek two-hour pilot; on how the subsequent one-hour pilot for Star Trek came about; on additional casting for Star Trek; on hiring Alexander "Sandy" Courage as the composer for Star Trek
Clip begins at: 24:24 - On hiring cast and crew, including William Shatner, for Star Trek; on taking the first episode to a preview house; on preview audiences' responses to Star Trek; on negotiations regarding the character of "Mr. Spock;" on the challenges of filming a special effects heavy show like Star Trek on a weekly basis; on the audiences' response to "Mr. Spock"
Clip begins at: 51:32 - Part 3
- On the casting for Star Trek; on the transition to "Mr. Spock" becoming the second lead on the show; on the format in which the pilots were aired; on significant changes between the first pilot and the second pilot; on approaching and presenting all the characters as equals; on the impact of the show upon viewers; on the importance of music on Star Trek; on memories of the Emmy Awards; on the writers of Star Trek; on the main contributors to Star Trek; on the cast and crew of Star Trek; on the move to make Star Trek a mixed race cast; on having a Russian character on the show; on his promotion at Desilu; on Lucille Ball's response to his promotion
Clip begins at: 0:0 - On how Leonard Nimoy's popularity as "Spock" affected the rest of the cast and crew; on working with Martin Landau; on his opinion of Star Trek; on his interest in understanding the director's perspective on a show; on the collaborative effort of making a television show; on his favorite episode of Star Trek; on the sale of Desilu to Gulf & Western; on Gulf and Western being absorbed by Paramount; on becoming vice president of Paramount Pictures; on his subsequent departure; on his move to MGM and acquiring three TV shows for the studio; on how the name Desilu was replaced by Paramount; on the effect his departure from Paramount had on the cast and crew of Star Trek
Clip begins at: 24:12 - On the legacy of Desilu; on early talks of doing a Star Trek movie and how the film eventually came about; on the success of the syndication of Star Trek; on the spin-off series that lasted for seven seasons; on the phenomenon that Star Trek has become; on the progression of his career and setting up his own company; on writing a book with Robert Justman about Star Trek; on the myths and misinformation that is spread about Star Trek; on his contributions and impressions of the Star Trek conventions; on the Star Trek sketch for Saturday Night Live; on the impact that Star Trek has had on people's lives; on his memories of the cancellation of the show
Clip begins at: 37:53 - On the legacy of Star Trek; on his involvement with other TV shows like Mission: Impossible, Mannix, Medical Center, Courtship of Eddie's Father and Then Came Bronson; on Bruce Gellar as a producer on Mission: Impossible; on Steven Hill in the role of "Mr. Briggs" on Mission: Impossible; on finding a new lead actor for Mission: Impossible; on the head of programming's opposition to Mission: Impossible; on Mission: Impossible being renewed; on the casting of Peter Graves as the new lead for the show
Clip begins at: 53:40 - Part 4
- On Peter Graves in the lead role on Mission: Impossible; on the origins and development of the TV show, Mannix; on the subsequent seven year run of the show; on hiring Lalo Schifrin to work with Bruce Geller on the theme song for Mannix; on the development and success of The Courtship of Eddie's Father at MGM; on hiring the cast for The Courtship of Eddie's Father; on how he wanted to make the show more real to the audience; on the Emmy win for The Courtship of Eddie's Father; on the score for The Courtship of Eddie's Fathe r; on the long running hit show Medical Center; on the power of television; on making the pilot for Then Came Bronson; on selling Then Came Bronson to NBC; on the score for Then Came Bronson; on the challenges of filming the show on location
Clip begins at: 0:1 - On producing a documentary, Elvis: That's the Way It Is, about Elvis Presley; on the documentary's success; on working with Elvis Presley; on why he left MGM; on work produced through his own production company; on developing and producing Man from Atlantis; on his proudest career achievement; on advice he would give to an aspiring television executive; on how he would like to be remembered
Clip begins at: 23:36


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